Angustia de Las Influencias by Harold Bloom at – ISBN – ISBN – Monte Avila Editores Latinoamericana . Get this from a library! La angustia de las influencias: una teoría de la poesía. [ Harold Bloom]. Get this from a library! La angustia de las influencias. [Harold Bloom].
|Genre:||Health and Food|
|Published (Last):||16 June 2011|
|PDF File Size:||8.36 Mb|
|ePub File Size:||19.42 Mb|
|Price:||Free* [*Free Regsitration Required]|
There’s a lot of meat here, as well as a good number of reading suggestions.
The Anxiety of Influence: A Theory of Poetry
May 11, Douglas rated it it was amazing. Jan 01, Ellen rated it liked it. Articles needing additional references from August All articles needing additional references Articles lacking reliable references from August All articles lacking reliable references Articles that may contain original research from August All articles that may contain original research Articles with multiple maintenance issues Pages to import images influecias Wikidata.
In the end that doesn’t keep one from forming an opinion on the overall parts of revisions that are explained in the book.
ANGUSTIA DA INFLUENCIA by Ana Paula Alves on Prezi
Ok let me say that Harold Bloom has an idea about poetry as being written from a place that is not uh It was the first in a series of books that advanced a new “revisionary” or antithetical  approach to literary criticism.
Will keep you posted. I think that this is the case in dreaming. I can no longer go on.
Angustia de Las Influencias
In short for those who harrold it’s silly and unfounded, I can see that in parts. When he asserts that poets misinterpret one another, in a way his very work is open to much misinterpretation so that by not getting everything you too see firsthand the process of misprision at play withing yourself.
His idea is that poetry should cover all of nature in a big cloak and see the threads that run through it. This book can be read as an introduction to poetry or as a philosophical essay.
This is his approach to criticism as well. Bloom doesn’t slow down to provide context; he is proving a point in an efficient manner. Most of the examples given ihfluencias from Romantic and modern poets whose work I really lae know well enough to judge the validity of the points, as Bloom does in his great erudition. I usually encounter people too enmeshed in cultural warfare to actually write an objective review on Bloom – individuals who tend towards adverse reactions to relativism and “social-justice lit” or whatever will love him, those interested in post colonial, marginalized or transgressive writers will hate him.
Open Preview See a Problem? This article has multiple issues.
La angustia de las influencias – Harold Bloom – Google Books
I also believ Every time I reread this, I become more dissatisfied with Bloom’s central thesis about the poet’s necessary “misprision” in order to clear the way for creative expression. Bloom’s ideas about poetic influence aren’t perfect, but they aren’t as terrible as his detractors would lead you to believe. Apr 15, Cymru Roberts rated it it was amazing Shelves: Statements consisting only of original research should be removed. These two ideals are in play and the paradox of his thought is the vital part of his theory.
But once you sit down to create it is probably enormously enjoyable. He woke up gasping for breath, and the next day he began writing a book that would become The Anxiety of Influence, in which he argues that all great writers are obsessed with breaking away from the great writers of the past.
He has no discernable talent. Jan 05, James rated it it was amazing.
I can probably understand why someone oa might like it, but I didn’t. Harold Bloom’s The Anxiety of Influence has cast its long shadow of influence since it was first published in Had he lived to read Freud, Nietzsche might somewhat admiringly have seen in him another Socrates, come to revive the primary vision of a rational substitute for the unattainable, antithetical lqs of life and art alike.
It works to woo the ladies. Retrieved from ” https: The poet as conqueror of time. I’ll just let the professionals do the criticism: